outside density is 9 with transfer function of cube
Tuesday, June 26, 2012
Tim's fractal
Phoenix Julia is my fractal with density of 8 inside and transfer fucntion is log.
outside density is 9 with transfer function of cube
outside density is 9 with transfer function of cube
My Fractal
Fractals
Attempts for fractals:
This one one stemmed from "orbit traps." I added colors and shape to it.
Artist week 4
Ian Clemmer
Ian Clemmer was born in Seattle but spent the last decade of his life in Germany. He graduated with a BA degree in digital art and media production from Darmstadt University of Applied Sciences in Darmstadt, Germany, in 2010, and has worked for Pixomondo, a motion graphics company, and the Sony Corporation. He currently lives in Venice, CA. He is both a professional photographer and a motion graphics artist, and a programmer and developer of 3D software that creates complex motion graphic effects. He calls his results visual music or "viusic"--a concept inspired by computer graphics pioneer John Whitney. "If harmony is audible, why not visible?" Clemmer asks. His work aspires to Digital Harmony.
Ian Clemmer was born in Seattle but spent the last decade of his life in Germany. He graduated with a BA degree in digital art and media production from Darmstadt University of Applied Sciences in Darmstadt, Germany, in 2010, and has worked for Pixomondo, a motion graphics company, and the Sony Corporation. He currently lives in Venice, CA. He is both a professional photographer and a motion graphics artist, and a programmer and developer of 3D software that creates complex motion graphic effects. He calls his results visual music or "viusic"--a concept inspired by computer graphics pioneer John Whitney. "If harmony is audible, why not visible?" Clemmer asks. His work aspires to Digital Harmony.
Videos of his work can be found as listed:
Ian
Clemmer on his L'Oreal Pitch:
“I
had the chance of designing a pitch for L'Oreal when I was working for the
Spatial Harmonics Group. The director's wish was for a hybrid between fluid,
fabric and gas, a spectacular piece of fluid animation. I created this gasesous
fluid fabric with 3d Studio Max, FumeFX and Krakatoa, compositing in
AfterEffects. This is what I came up with and apparently I nailed it on the
spot :)”
MOCA ARTIST WEEK 4
An early electric sheep
About Scott
Draves
Scott
Draves a.k.a. Spot is a visual and software artist living in New York City.
Draves is best known as the creator of the Electric Sheep, a continually
evolving abstract animation with over 450,000 participants.
He
created the original Flame algorithm in 1991, the Bomb visual-musical
instrument in 1995, and the Electric Sheep in 1999. Draves' software artworks
are released as open source and have been used for two decades by many other
artists and designers in their own work. Most recently, Draves created
Generation 243, a commissioned piece for the Gates Center for Computer Science
at Carnegie Mellon University. Other works in clude Clade 1, a rare true
high-definition video artwork that runs a 26-minute loop. Dreams in High Fidelity,
a moving painting that runs infinitely, is installed in the lobby of Google's
headquarters, and has been acquired by corporate and residential collections
nationally.
Draves'
award-winning work is permanently hosted on MoMA.org, and has appeared in Wired
and Discover magazines, as an official skin for Google Chrome, as the graphic
identity for Siggraph 2008, the Prix Ars Electronica 1993, the O'Reilly
Emerging Technology Conference, and on the main dance-floor at the Sonar
festival in Barcelona.
When
not working as a full-time artist, Draves has worked for a series of technology
start-ups. First was the fabless microprocessor design company Transmeta, made
famous by Linus Torvalds. Later came FastForward Networks, which was acquired
by Inktomi, then the PDI/Dreamworks R&D Department, which earned him a
feature film credit for Shrek 2. Draves is now an engineer in the mapping
division at Google Inc.
Spot
started VJing at underground parties in the early 90s and still performs live.
In 2004 he published SPOTWORKS a DVD of visual music which has sold more than
4000 copies.
In
1990 he received a BS in Mathematics from Brown University and in 1997 a PhD
from the School of Computer Science at Carnegie Mellon University for a thesis
on metaprogramming for media processing.
http://www.post-gazette.com/stories/ae/art-architecture/the-algorithmic-art-of-scott-draves-dreams-of-electric-sheep-at-cmu-218765/
Monday, June 25, 2012
Benedikt Amrhein
Born into a family of artists in 1975, in the beautiful town of Lübeck, near the waters of the Baltic Sea, Benedikt Amrhein is now residing in Bonn, Germany's former capital. As someone who is fond of artistic excesses of all kinds (writing short stories, composing etc.), he discovered graphic art (somewhat late) during the past few years. Since then Digital Art (sometimes combined with photography) has become his passion. While not dreaming and thinking in colours, he works as a warehouseman in a medium-sized enterprise.
Benedikt regularly uses Apophysis, Bryce and Photoshop.
From my point of view, art knows no limitations; there aren’t any labels, but if they are, they should be used carefully; any form of art is part of the other art, thus any form of art can’t exist without the other. Music is impossible to be heard without creating images in one’s mind, and literature and imagery is also, in another way, an important part of music, when it comes to write music down – in form of letters (A, B, C, D and so on) and certain glyphs, which we call notes.
In this sense, art is limitless and without borders, as said above. Thus, the images I create are nothing less than sculpted and colourful words, sentences and speeches. If you want, they are the stories I never wrote.
So: art knows no limits, in my eyes. As someone, who is open for everything (in musical sense, I listen to everything from Classical Music, Film Music, Pop to Jazz, Electronical Music, including Techno and Trance, and all kinds of Rock Music, including Progressive Rock, Heavy and Progressive Metal) I am used to shift between the medias, the techniques, the different forms of art.
Especially Digital Art shows no limitations, is a never dwindling source for an aspiring artist – the greatest adventure playground you could ever imagine! An adventure playground, where I can let off steam to my heart’s content.
Many words –
In this sense, art is limitless and without borders, as said above. Thus, the images I create are nothing less than sculpted and colourful words, sentences and speeches. If you want, they are the stories I never wrote.
So: art knows no limits, in my eyes. As someone, who is open for everything (in musical sense, I listen to everything from Classical Music, Film Music, Pop to Jazz, Electronical Music, including Techno and Trance, and all kinds of Rock Music, including Progressive Rock, Heavy and Progressive Metal) I am used to shift between the medias, the techniques, the different forms of art.
Especially Digital Art shows no limitations, is a never dwindling source for an aspiring artist – the greatest adventure playground you could ever imagine! An adventure playground, where I can let off steam to my heart’s content.
Many words –
Benedikt has many galleries of Apophysis in his portfolio. Now knowing what the name of these pictures are is nice because I have many of the same style pictues throughout my house.
Sunday, June 24, 2012
Saturday, June 23, 2012
Friday, June 22, 2012
Help
I need help with my Apophysis I have a Mac and cannot download the app I did find some stuff on fractual but it has me doing it the math way. Is there another way for Apple user to do this....
My Apophysis
Apophysis 120622-8
I went to the gradient chart to preset or change the coloring then
I adjusted it to blur at 10. From that
point I went to mutation chart and changed the speed to 0.07 and changed the
trend to “perspective”, changing the speed again to 0.22. Experimenting.
Apophysis
My Apophysis is 120622-37. I adjusted it to saturation at 30 with mutation speed at 0.25.
The trend I chose is diamond.
Thursday, June 21, 2012
Moca art week 4
Landfall-8 It reminded of the desert almost like a half of an cactus drying out and the skies beginning to turn, showing no water to survive
Apophysis:Fractal Flames
This is my very first attempt in creating a Apophysis. I look forward to creating and experimenting with this. My first try:
Wednesday, June 20, 2012
Week 3 Artist
Thomas Vilot
Common Threads
Thomas Vilot graduated from the University of the Arts (Philadelphia) in
1989. "I have always been fascinated by the fusion of art and
technology," he writes. His work is conceived, created, drawn, designed,
layered, even textured on the computer screen, and is outputted by Vilot onto
large-size canvas or paper. Despite his digital expertise, Vilot may be more a
conventional artist than we think. His canvas prints are often re-worked by
traditional brush and oil techniques.
I think his use of art is interchangeable and full of colorful dimension.
PanArch I
MOCA ARTIST: WEEK 3
Werner Hornung
Werner was
born in Konstanz in Germany. He arrived in Paris in the early 1970s where he
pursued a career in advertising. Apart from running his own studio, Werner
always felt the need to fulfill himself through his own artistic creations away
from the constraints of the advertising world. His first personal works were
collages. Then he used the computer as a tool which allowed him to develop his
artistic expression. He enhanced his work by using Photoshop. His personal work
has been exhibited on the internet for some time and his participation in various
competitions on the web has earned him several awards. For Werner, the most
important element in art is the creative mind and not the medium.
“The most
important software is situated at the right side of your brain and called
INSPIRATION.”
"Blind Date"
""What does
digital art look like? If looking at the work raises questions as to whether it
might be a painting, print, or photograph, and the answer is "yes" to
all three, then it is most likely a piece created from within the emerging
digital aesthetic."
JD Jarvis "Going Digital""
JD Jarvis "Going Digital""
For me, this artist work
is extreme and unique. He is very
creative and detailed oriented with his work.
I find his work different with some of his tactics. However, this is what we call “ART” in many
forms and that’s the uniqueness of this artist!
Follow this artist work @:
Twitter: Follow @artmajeur
Tuesday, June 19, 2012
Monday, June 18, 2012
Week 3 Tom Hubbard
Tom Hubbard writes, "I've come to digital abstract art after a lifetime career of realistic photography. I was a television director in Norfolk and Atlanta before becoming a newspaper photographer in Atlanta and Cincinnati. While at the Cincinnati Enquirer, from 1966 to 1978, I won 22 Ohio awards for photojournalism and two national awards, including a National Press Photographers Association award for best photo story coverage of the Senate Watergate Hearings.
"I now bring abstract elements to the foreground, elevating them from a supporting role to being the subject. I work spontaneously on a piece until I see a theme. Each work remains abstract, but I see a visual theme or narrative.
"Themes arise automatically from a store of experiences from my career in realistic photography. Good photography elicits an emotional response. I work until I perceive an emotion represented in abstract forms. Usually, I feel authorship. Other times, images manifest themselves from beyond my conscious awareness."
I love the abstracts and the colors like he said the images manifest themselves everyone will get a different take on the image her is the artist web page http://studiohonline.com/tom/
The banner says it, I've gone from photojournalism to abstract digital art. Both are on this site.
Take your choice from the links below. I've gone from one extreme to the other. I first did photojournalism/documentary where I faithfully rendered the scene or event in front of me.
My abstract began on the computer in 2000, but I can see I was preparing for abstraction, from doodling in high school to finding abstract patterns in realistic photography.
In photojournalism, the scene was in front of me. In abstract work, the image originates somewhere inside of me. I'm fascinated by this. I call it "abstract," but it's not pure abstract because there's content lurking in those designs. I'd call it "surreal," but that term has lost its original meaning in normal usage. My work is surreal. Form is supported by mental and emotional content.
I'm doing mostly the abstract digital now but I want you to see photojournalism where I started. There's a lot here so I hope you will bookmark my site and come back. Thanks for looking.
He also has alot on his photojournalism I love this picture below
"I now bring abstract elements to the foreground, elevating them from a supporting role to being the subject. I work spontaneously on a piece until I see a theme. Each work remains abstract, but I see a visual theme or narrative.
I love the abstracts and the colors like he said the images manifest themselves everyone will get a different take on the image her is the artist web page http://studiohonline.com/tom/
The banner says it, I've gone from photojournalism to abstract digital art. Both are on this site.
Take your choice from the links below. I've gone from one extreme to the other. I first did photojournalism/documentary where I faithfully rendered the scene or event in front of me.
My abstract began on the computer in 2000, but I can see I was preparing for abstraction, from doodling in high school to finding abstract patterns in realistic photography.
In photojournalism, the scene was in front of me. In abstract work, the image originates somewhere inside of me. I'm fascinated by this. I call it "abstract," but it's not pure abstract because there's content lurking in those designs. I'd call it "surreal," but that term has lost its original meaning in normal usage. My work is surreal. Form is supported by mental and emotional content.
I'm doing mostly the abstract digital now but I want you to see photojournalism where I started. There's a lot here so I hope you will bookmark my site and come back. Thanks for looking.
He also has alot on his photojournalism I love this picture below
Sunday, June 17, 2012
Week 3 posts
Adriana Ricciardi
I am graduated in architecture at Mackenzie University (São Paulo, Brazil) and I studied at Architectural Association School of Architecture (London, UK).
Now I am living in Brazil and working with interior design, digital art and photography.
As you can see I am a fan of abstract art I love colors and art that reminds me of colors put together and it creates a picture. Digital art looks like abstract painting. Could not find much information on this artist.
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